Feb 18, 2016

"I Can't Serve You!" Archie Tackles Racial Integration and Discrimination

In 1969, Archie Comics introduced their first prominent black character in Valerie Smith, who would go on to join Josie and the Pussycats as its bassist and/or second guitarist, depending on how many strings they're drawing on her guitar.



In 1971, they introduced their first prominent black male character, Chuck Clayton. Chuck is also the first prominent black character to hang out with the Archie gang, although he still doesn't do it on a regular basis.

Uhhhh.... yeaaaaaaaahhhhhhhh.....

A few months after Chuck was introduced, we get this story, "Color Them Red" in Archie #214. It's by my all-time favorite Archie creative team of Frank Doyle and Harry Lucey, and introduces a black character named Josh. He's also never used again. I don't know if he was intended as a one-off character and was used for this piece just because this story specifically tackles racial integration and discrimination, or if he was intended to reappear and then didn't, because, frankly, Archie does tend to have just one or two characters for each minority. (I've read a lot of digests from the 70s, and Chuck Clayton was a dominant figure in a bunch of them, much the same way Kevin Keller is now. I'll take it over no diversity at all, but hopefully we'll eventually reach a point where, say, Nancy is a bridesmaid for a wedding because she's actually a character who should be a bridesmaid for a wedding, and not simply because Archie Comics wants black representation in the bridal party, and then she does nothing for the rest of the story. Yes, these are notes in the hardcover of The Archie Wedding.)

Anyway, I thought this was an interesting look at racial dynamics in 1971. Archie pretty much always had a way of taking a serious issue and then paring it down so it's not too heavy, but still covered what you needed to know. Click to enlarge. Enjoy.



Feb 11, 2016

The Greatest First Appearance of All Time: The Black Panther

With the Black Panther about to make his big-screen debut in a couple of months in Captain America: Civil War and Beyonce making a big splash at the Superbowl by wearing an outfit reminiscent of the black nationalist and very specifically not-hate group the Black Panthers, known to do things such as make sure black kids got free breakfasts in schools, I figured it'd be a good time to talk about T'Challa, Marvel's Black Panther, and capitalize on search engine queries. Because I have no shame.

Ben's already covered much of the Black Panther's landmark stories, but one thing he didn't cover was T'Challa's first appearance, which is the greatest first appearance ever by one hero in the confines of another series. There may be better first appearances out there, like Spider-Man's, where he's the main character, and there may be more impressive villain debuts, but there are no better first appearances by a hero in another superhero series. I don't think his first appearance is the stuff of legend, but hell, it should be, so let's take a look at it.



Stan Lee and Jack Kirby were always pretty racially progressive in their works, and in Fantastic Four #52, they introduced the Black Panther off-panel as an African chieftain who gifts the FF a flying car. Okay, keep that in mind, this comic published in 1966 features an African chief who has a flying car to spare.



Meeting with the Panther's emissary, the FF is invited to Wakanda to join T'Challa in a hunt. The emissary shows technology even Reed Richards is impressed by.

Of course, it's really just a cellphone.


Word gets back to T'Challa and he activates his giant computer and puts on his Black Panther suit.


The FF go to Wakanda, accompanied by Johnny Storm's friend Wyatt Wingfoot. (See what I mean about being racially progressive? We have a black guy and a Native American in the same book in 1966. If Kirby were alive today, he'd be doing things like giving Devil Dinosaur a black girl for a friend. Stan Lee's last high-profile project, in 2002, involved a black Batman and a Hispanic Wonder Woman.)



They land and oh just enjoy the Kirby.



It's at this point that the Panther's plot is revealed. He wanted to hunt the Fantastic Four!



And with each member of the four, he reveals an elaborate trap. For the Human Torch, he's set a fireproof device that he knew Johnny would just barge right into.



He then has his people fire repeller rays at the other three, splitting them up. He detects the Invisible Woman by her scent, and then gets to her before Sue Storm can set up her forcefield.



Then he tricks the Thing (whom he'd already weakened prior to the battle) into drinking some spiked water, just enough to put them at the same strength level. And "in any equal match, the Black Panther is certain to win!" (I do love how he rigged it so that the fight between him and Ben Grimm is fair, and not anything towards his favor.)



That leaves only Mr. Fantastic, who Panther traps pretty easily by turning the lights out and luring him into a holding device.



It's over then and there, for all intents and purposes, but by that time, Wyatt Wingfoot, who Panther hadn't accounted for, had freed the Human Torch, who went on to free the others. His point made and without any more traps, T'Challa accepts defeat.



But look at that. The Black Panther made his debut by beating up what was arguably, at the time, comics' most popular superteam. And he did it with intelligence, preparation, and more than a little bit of sneakiness, decades before "always being prepared" would become Batman's schtick. When the issue of DC/Marvel counterparts comes up, most fans say Batman's Marvel counterpart is Captain America, on account of them being the pre-eminent "no powers" guys in their universes. But really, for modern Batman, the Black Panther is a more accurate comparison. He's always prepared, he's a scientist, he's a great fighter, and he has a strong sense of responsibility towards his homeland. (And he's better, because he can actually rule his country, while that overrated long-eared self-centered jerk can't even fix his city. Wow, sorry about that. I really can't resist any opportunity to stick it to Batman.)

Maybe the sales don't show it, and hopefully that will change because we're now hopefully in an age where a salable black lead isn't the exception rather than the rule, but in-story, in the Marvel Universe, the Black Panther is nothing short of a first-stringer. Soon after his first appearance, he would become an Avenger. Recently he was a key figure in the Secret Wars. He's awesome. And starting April 27, 2016, the world will know.

For more awesome Black Panther stuff, go read Back Issue Ben's retrospective. Also, go watch Avengers: Earth's Mightiest Heroes. Panther is awesome there.

Feb 3, 2016

Tangle Wits With a Killer!

Archie Comics isn't known for publishing crime comics, and especially not in conjunction with another company, Close-Up Inc., which may or may not be the same company that makes the toothpaste. But publish crime comics with Close-Up Inc. they did, in the early fifties. Sam Hill was drawn by Harry Lucey and Harry Sahle, and ran seven issues, with each issue having a number of fairly easy-to-follow mysteries. You can download all the issues here at ComicBookPlus.

What strikes me about it, aside from the fact that I read all these stories in the stereotypical 40s movie voices (Sam is Humphrey Bogart), is the relatively high level of visual storytelling for a Golden Age comic. They try to play fair with the clues, so they leave a lot of the clues in the art without calling much attention to them with the words, which wasn't all that common back then, especially since comics had such low production value that it was easy for things to get lost in the art. (Hell, they had to use exclamation points instead of periods most of the time because the periods might get lost in production.)



So I present to you, in the interest of visual storytelling and in the interest of fun, straight of of the first three issues of Sam Hill, Private Eye, two-page features called "Tangle Wits With a Killer!" In each story, you're to look at the panels and see if you can spot the clues that led Sam to his conclusions. The third page features all the solutions (and some bonus crime facts), so it won't leave you hanging.

Click on each image to enlarge, and have fun!

First Mystery:




The Solution:



Second Mystery:



The Solution:



Third Mystery:



The Solution: